Rotterdam Central Station is one of the city’s main modern landmarks. Reopened in 2014 after a major reconstruction, it reflects Rotterdam’s bold architectural identity and role as a major transport hub. Its sharp roofline, spacious hall, and connection with trains, trams, metro, and buses show the city’s forward-looking urban character.

Moments Contained is a monumental bronze sculpture by British artist Thomas J Price in front of Rotterdam Central Station. Installed in 2023, it shows a young woman standing calmly in everyday clothing. The work reflects contemporary ideas of public space, representation, dignity, and visibility in the modern city.

De Doelen Concert Hall is one of Rotterdam’s main cultural venues. Opened in 1966 on a site linked with an earlier pre-war concert hall, it became a symbol of the city’s post-war reconstruction. Its modern architecture, large halls, and strong musical programme reflect Rotterdam’s renewed cultural life after the devastation of World War II.

Schouwburgplein Square is one of Rotterdam’s most distinctive modern public spaces. Designed as an elevated urban stage, it is surrounded by theatres, cinemas, cafés, and cultural venues. Its open layout, movable lights, and industrial materials reflect Rotterdam’s experimental architecture and post-war reinvention.

Rotterdam City Hall is one of the few major central buildings that survived the bombing of 1940. Completed in 1920, it combines Beaux-Arts and Renaissance-inspired architecture with a monumental tower and richly decorated façade. The building reflects Rotterdam’s civic pride before the war and its continuity through destruction and reconstruction.

It’s Never Too Late to Say Sorry is a public artwork by the artist duo Elmgreen & Dragset in Rotterdam. The installation consists of a display case with a megaphone, linked to a daily ritual in which an apology is announced in public space. The work reflects themes of regret, responsibility, communication, and the emotional life of the modern city.

World Trade Center Rotterdam is a landmark business complex on Coolsingel. It combines the historic former stock exchange building with a modern tower added in the late 20th century. The complex reflects Rotterdam’s commercial identity, international connections, and ability to merge pre-war architecture with post-war urban renewal.

Saint Lawrence Church is the main medieval church of Rotterdam. Built between the 15th and 16th centuries, it is one of the few surviving reminders of the city before the bombing of 1940. Its Gothic architecture, tower, stained glass, and reconstructed interior reflect Rotterdam’s medieval origins and post-war resilience.

Market Hall is one of Rotterdam’s most recognizable modern buildings. Opened in 2014, it combines a food market, shops, restaurants, apartments, and a vast arched interior covered with colourful artwork. Its bold form reflects Rotterdam’s experimental architecture and its reputation as a city of design, trade, and reinvention.

The Cube Houses, known locally in Dutch as Kubuswoningen, are among Rotterdam’s most famous examples of experimental architecture. Designed by Piet Blom in the 1970s and completed in the 1980s, the tilted yellow cubes represent an urban “forest” above street level. Their unusual geometry reflects Rotterdam’s playful approach to housing, design, and post-war reinvention.

The White House is one of Rotterdam’s most historic high-rise buildings. Completed in 1898 in Art Nouveau style, it was once among the tallest office buildings in Europe. Its white façade, decorative details, and survival of the 1940 bombing make it a powerful symbol of old Rotterdam and the city’s resilience.

Wijnhaven Canal is one of Rotterdam’s historic harbour canals. Once connected with trade, warehouses, and shipping activity, it reflects the city’s long relationship with the Maas River and maritime commerce. Today, the area combines old waterfront traces with modern architecture, showing Rotterdam’s shift from working port to contemporary urban district.

The Maritime Museum is dedicated to the city’s long relationship with ships, trade, and the sea. Its collection includes historic vessels, models, maps, engines, and maritime objects connected with the port of Rotterdam. The museum reflects how navigation, engineering, and global commerce shaped the city’s identity.

The sculpture “Along the Maas“ is a public artwork connected with Rotterdam’s riverside identity. Its title refers to the Maas River, the waterway that shaped the city’s harbour, trade, and urban growth. The sculpture reflects Rotterdam’s close relationship with movement, shipping, and the industrial landscape along the waterfront.

“Love Birds” is a colourful mural by Rotterdam artist Tymon de Laat. The work shows two stylised figures in a warm, expressive composition typical of the artist’s bold street-art style. It reflects Rotterdam’s open-air art culture, where walls, façades, and public corners become part of the city’s creative identity.

Museum Boijmans Van Beuningen is one of Rotterdam’s major art museums. Its collection ranges from medieval masters to modern and contemporary art, with works by artists such as Bosch, Rembrandt, Van Gogh, Dalí, and Magritte. The museum reflects Rotterdam’s long cultural ambition and its connection with European art history.

The Natural History Museum presents the natural world through fossils, skeletons, animals, plants, and scientific collections. Housed in Villa Dijkzigt near Museumpark, it connects Rotterdam with biodiversity, evolution, and the history of life. The museum reflects the city’s curiosity about nature within an urban setting.

Erasmus Bridge is one of Rotterdam’s most recognizable modern landmarks. Opened in 1996, it spans the Nieuwe Maas and links the northern city centre with the Kop van Zuid district. Its tall asymmetrical pylon, nicknamed “The Swan”, reflects Rotterdam’s bold engineering, waterfront renewal, and contemporary skyline.

Hotel New York is a historic landmark on Rotterdam’s Wilhelminapier. Housed in the former headquarters of the Holland America Line, it recalls the era when ships departed from here for New York. Its Art Nouveau details, waterfront position, and maritime atmosphere connect Rotterdam with migration, ocean travel, and the city’s port history.

Lost Luggage Depot is a public artwork by Canadian artist Jeff Wall in Rotterdam. The work evokes the image of abandoned or stored baggage, turning an everyday object into a reflection on travel, memory, absence, and displacement. It connects the city’s port identity with broader themes of movement, migration, and personal histories.